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Posts Tagged ‘entertainment’

REVIEW: Silent House

March 23, 2012 Leave a comment
Elizabeth Olsen in Silent House

Spoiler alert: the only good actors all have only x-chromosomes.

I’m gonna be honest straight off the top here: I’ve never seen Alfred Hitchcock’s Rope. Being even more honest, I expect the kind of people who obsessively cruise film blogs to understand what I mean there and why I’m saying it now, but I don’t expect that of people I actually want to write for–so I’ll explain myself. Rope is a film that takes place in real time over 80 minutes as actions unfold and suspense builds and everything gets worse. At least, I assume all that last stuff after the word “minutes”. The point is, it’s shot, cut and projected in such a way as to give the illusion of being a single 80 minute reel of film unfolding before your eyes. Silent House, from the couple who brought you Open Water, is also shot and cut to present the illusion of being one uninterrupted take. It’s also being marketed with the gimmick of being the 88-minute, one take horror movie. Don’t tell anyone else, okay? It’ll be our little secret.

Elizabeth “sister-to-the-twins” “Martha-May-Marcy-Marlene” Olsen is a young woman by the name of Sara, who is living with her father at her family’s old lake house, finishing up emptying the place out and packing everything into boxes before they sell it. She, her father and her uncle are all carrying around lanterns because the house has no power. After a visit from a girlhood friend, freaky things start happening in the house. Polaroids are left out, with both father and uncle quickly hiding them; she finds a red tin box she can’t open; there are lots of lingering shots on Things That Will Be Important Later. For a one-take movie, it sure has a lot of shots. And the house has a lot of doors that can’t or shouldn’t be opened (that will be). And while the film is getting warmed up, it’s nice to pretend it’s just a thriller, instead of a profoundly dark movie that still has me looking over my shoulders. Read more…

The Ramones. (long essay for college)

March 6, 2012 Leave a comment

I’m going to go out on a limb here and assume that everybody thinks of the Beatles as the most influential rock and roll group of the 20th century. And as there were no rock and roll groups in the 19th century and there aren’t any as influential or universally beloved as the Beatles in the 21st century, it feels safe to call them the most influential pop band of all time. Indeed, it was John, Paul, George and Ringo who invented the self-contained band–a handful of musicians who would write, sing and play their own songs exclusively. During the 60s, the Fab Four were the biggest thing since sliced bread, but after their dissolution and into the 1970s, rock music took increasingly more theatric and ludicrous turns. Acts like Led Zeppelin opened the door for progressive rock (prog rock henceforth) and heavy metal, two genres less focused on songs and more focused on performances. These genres took skill and years of practice to get into, and were only amassing global popularity in the early 70s.

It was into this musical landscape that the second most influential rock and roll group of the 20th century was born. It was a time of guitar virtuosos and organ solos. When performers took to the stage, it was frequently in elaborate outfits. Rock music became less about rebellion and more about hobbits or satan. This was the environment surrounding four “middle class” New York boys determined to make their impact on the world. And to think, all Tom Erdelyi wanted to do was start a band. When he met John Cummings, Douglas Colvin and Jeffry Hyman through their mutual fandom for The Stooges, the pieces were in place for the Ramones to take over the world. Tommy had found Johnny, Dee Dee and Joey. All that was left was for them to convince him that he should play drums instead of being the manager. (He’d stay on as producer for their first four albums.)

Their passion came out of the New York Dolls, the Stooges and a rebellion (at least on Johnny’s part) against the idea that excessive displays of skill were a necessary part of being a rock band. Unlike their primary influences’ focus on clothing and makeup, the Ramones played strictly in jeans and leather jackets with outgrown Beatles haircuts. Their first shows were at a hole-in-the-wall bar in a New York abandoned by young urban professionals headed for the suburbs. CBGB was the only bar that would have them, and even then, their audience at their first shows was mostly comprised of the members of Television, Blondie, the Talking Heads. Being entirely unique in their style, there was no competition with the Ramones. Read more…